The Pompoms
“It is an experience that is magical, accessible, entertaining, familiar and immersive. Yet, it is also so much more.”
Cut from more than 150 metres of crimson fabric, The Pompoms is an immersive installation made up of ten giant pompoms which dance and swirl to a choreographed routine. Each vibrant pompom was laser cut into tall tassels of fine ribbon which stand at three metres tall. For Shades Arcade, the installation is an exploration of physics; how speed and rotation can manipulate a material to dance through space. At times the pompoms swirl out, skirting the ground, other times they tightly twist inwards; the final product almost like witnessing a waltzing room of scarlet gowns.
Each pompom is choreographed in code by Eason. This code sent by an Arduino micro-controller to the motors at the top of the pompoms. The code instructs the works to spin clockwise or anticlockwise, how long and how fast to do so, and ensures each work moves at the correct moment. All movements are coded as a series of commands to a number of beats, certain letters represent movements; for example, an uppercase 'A' represents slow & clockwise, a lowercase 'b' is fast and anticlockwise, and 'X' is rest. Each time the works are shown, the pompoms perform unique choreography designed only for that space; a movement score, akin to a music score, that is interchangeable and adaptable with every venue in which they wish to dance.
The Pompoms has been exhibited twice.
The Pompoms were originally commissioned by the Christchurch City Council as part of the urban regeneration initiative called ShoPop, which aims to bring life to vacant commercial spaces.
More recently they were installed in CoCA (Centre of Contemporary Art) Christchurch, where the public could walk into the space and stand amongst them.
13th December 2019 - 2nd February 2020
Toi Moroki CoCA (Centre of Contemporary Art), 66 Gloucester St, Christchurch, New Zealand.
18th July - 1st October 2018
293 Durham St North, Christchurch, New Zealand.
Reviewed by Warren Feeney, Artbeat Magazine
Issue 14, February 2020